theater


Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

Robert O’Hara Thinks ‘Men Are Stupid.’ His New Play Shows Just How.

“In satire, you sort of imagine the unimaginable,” said Robert O’Hara, whose new play, “Mankind,” envisions a world without women.

At First Performance of ‘My Fair Lady,’ the Drama Was Offstage

At First Performance of ‘My Fair Lady,’ the Drama Was Offstage

A program for the world premiere production of “My Fair Lady” in New Haven.

2018 Tony Nominations: ‘Mean Girls’ and ‘SpongeBob’ Lead the Way

2018 Tony Nominations: ‘Mean Girls’ and ‘SpongeBob’ Lead the Way

Gavin Lee, center, as Squidward Q. Tentacles in “SpongeBob SquarePants,” which garnered 12 Tony nods.

Review: ‘Jagged Little Pill’ Breaks the Jukebox Musical Mold

Review: ‘Jagged Little Pill’ Breaks the Jukebox Musical Mold

Lauren Patten singing the showstopper “You Oughta Know” in “Jagged Little Pill,” a new musical based on Alanis Morissette’s songbook.

Staging Reality Winner: An F.B.I. Transcript Becomes an Offbeat Thriller

Staging Reality Winner: An F.B.I. Transcript Becomes an Offbeat Thriller

Tina Satter, right, is directing Emily Davis in “Is This a Room,” a play about the F.B.I.’s 2017 interrogation of the military contractor Reality Winner.

Review: Jim Parsons and Zachary Quinto Enter Sniping in ‘The Boys in the Band’

Review: Jim Parsons and Zachary Quinto Enter Sniping in ‘The Boys in the Band’

From left, Jim Parsons and Matt Bomer in the 1968 play, about a group of gay friends, being presented on Broadway for the first time.

How Broadway Keeps Trying to Get the Disco Beat

How Broadway Keeps Trying to Get the Disco Beat

Ariana DeBose, center, in “Summer The Donna Summer Musical.” which features such hits as “Hot Stuff” and “I Feel Love.”

Review: Hope and Restraint at the Tonys. Then Came Robert De Niro.

Review: Hope and Restraint at the Tonys. Then Came Robert De Niro.

Robert De Niro, introducing Bruce Springsteen, used President Trump’s name three times in a short, obscene salvo.

Women’s Voices Festival a Potent Reminder of Who Goes Unheard Onstage

Women’s Voices Festival a Potent Reminder of Who Goes Unheard Onstage

Members of the ensemble in Timberlake Wertenbaker’s interracial love story and historical drama, “Jefferson’s Garden.”

Review: Dancing to Destruction in Enda Walsh’s Fierce ‘Disco Pigs’

Review: Dancing to Destruction in Enda Walsh’s Fierce ‘Disco Pigs’

Evanna Lynch, left, and Colin Campbell as 17-year-olds on the loose in Enda Walsh’s “Disco Pigs” at the Irish Repertory Theater.

How an Anxious-Adolescent Musical (No, Not That One) Found Its Fans

How an Anxious-Adolescent Musical (No, Not That One) Found Its Fans

Will Connolly (center) as a high school student who takes steps to turn cool in the Two River Theater production of “Be More Chill.”

‘Hamilton’ Leads a Record-Breaking Holiday Week on Broadway

‘Hamilton’ Leads a Record-Breaking Holiday Week on Broadway

“The Lifespan of a Fact,” starring, from left, Cherry Jones, Daniel Radcliffe and Bobby Cannavale, is one of the plays doing excellent business on Broadway this season.

Review: Dirty Dancing to Henry James in ‘The Beast in the Jungle’

Review: Dirty Dancing to Henry James in ‘The Beast in the Jungle’

Irina Dvorovenko and Tony Yazbeck share intense pas de deux, but are frustrated in love, in the new dance play “The Beast in the Jungle.”

How Much Magic Can ‘Harry Potter and the Cursed Child’ Make on Broadway?

How Much Magic Can ‘Harry Potter and the Cursed Child’ Make on Broadway?

A key component of the costuming, backstage at the Lyric Theater, where “Harry Potter and the Cursed Child” begins previews next month.

Review: ‘Smokey Joe’s Cafe’ Is a Feast of Pop Nostalgia

Review: ‘Smokey Joe’s Cafe’ Is a Feast of Pop Nostalgia

Kyle Taylor Parker, center, holding the title prop of the song “Love Potion No. 9” in “Smokey Joe’s Cafe: The Songs of Leiber and Stoller” at Stage 42.

Carey Mulligan Is Perfection in a Play That Isn’t

Carey Mulligan Is Perfection in a Play That Isn’t

Carey Mulligan in “Girls & Boys,” written by Dennis Kelly and directed by Lyndsey Turner at the Royal Court Theater in London.


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